Graphic commons: Bucharest, a bohemian rhapsody

Recently I was lucky enough to get the opportunity to travel to Bucharest, Romania, for work. The trip was so that I could attend an art and design education fair and to talk at a couple of high schools about our courses. This was my first such recruitment trip abroad, and I’m told you oftenContinue reading “Graphic commons: Bucharest, a bohemian rhapsody”

Reclaim the sheets

While some may praise Lush for its recent #SpyCops poster campaign, having your own shop window to deliver a political campaign message in is a luxury most do not have. Now, the non-shop owning agitpropper can turn to Brandalism, who have launched a Subvertising Manual that shows anyone how to reclaim visual spaces from advertisers byContinue reading “Reclaim the sheets”

McJunk, accentuated

Although my McJunk project has been on hiatus for a while, I do occasionally post the odd example to Instagram. Believing that one person’s litter in the gutter is another person’s advert glaring from a billboard—because regardless of context, any representation of the McDonald’s logo reinforces brand recognition—I never thought that the company would sanction a marketingContinue reading “McJunk, accentuated”

London 0, Hull 2017

It is an impressive feat for an item of graphic design to stop you in your tracks. This week, while flicking through The Guardian in my lunch break, a full-page advert for Hull, UK City of Culture 2017, did just that. There is more than a little New Rave and London 2012 Olympics about it. And the bold typography andContinue reading “London 0, Hull 2017”