Music – Nigel Ball

Too much pressure: 2 Tone and typography

My introduction to graphic design was staring up at a Beatles poster on my bedroom wall aged 8, wondering why the vertical stroke of the T dropped below the baseline of the band’s name. I had no understanding that what I was pondering was actually called typography, nor that the words graphic and design existed.Continue reading “Too much pressure: 2 Tone and typography”

Resituating Gee Vaucher

In 2016 I started a review of Gee Vaucher’s Introspective exhibition by saying: “…[as] a teenage punk in the early 1980s it would have seemed inconceivable that Gee Vaucher’s artwork might ever grace the walls of a gallery…”. In 2023, the same thought crosses my mind about what ‘teenage me’ would have made of Vaucher’s life andContinue reading “Resituating Gee Vaucher”

In a de boomtown

Almost 40 years ago to the day, Ghost Town by The Specials was released. It came at a time when uprisings were tearing through Brixton and other major towns and cities in Britain. At the time, watching the video for the single on TV as it went to Number 1 in the charts, with theContinue reading “In a de boomtown”

The times they are a-changin’

I recently wrote here about frustrations I was having with how my iPhone displayed album sleeves on its Music app. Since then I’ve been somewhat forced to sign-up to Apple Music to get over this, (and other), issues with the app. In doing so it feels like I have made a major shift in someContinue reading “The times they are a-changin’”

My iPhone hates me

I think my iPhone hates me, it has recently been swapping the album artwork of one band for another. This is very much a first world problem, I know. But it does feel very personal. My phone, for all its ‘smartness’, must know how important graphic design and music are to me. I use the MusicContinue reading “My iPhone hates me”

Map folk

As a sucker for cartography I could not resist buying a new compilation of live folk music with an accompanying map. Titled From Here: English Folk Field Recordings, the record is a modern take on Alan Lomax’s field recordings in the 1930s and ’40s and seeks to look at contemporary English folk music and its reference to place. A projectContinue reading “Map folk”

Burn baby burn

I do like a good stunt, which is why I’m looking forward to Joe Corré burning all of his punk memorabilia in a protest about Punk London in November. Corré, the son of Malcolm McLaren and Vivian Westwood, has amounted a collection of punk atifacts he claims to be worth over 5 million pounds. Despite thatContinue reading “Burn baby burn”

Secret seven

A large corner of my loft is stacked with vinyl records, mostly 12″ LPs, but there is a smaller pile of 7″ singles. They are going to stay there, save for the odd time I want to change the artwork in my three album-art frames that deck our landing. It is fair to say IContinue reading “Secret seven”

Punk philosophy

You could argue the need for yet another publication about punk. The ‘1976 and all that’ narrative has been told so often now that it reads like a dull pantomime with all original relevance of the story bled dry through over telling. There have been some publications in the last few years that have gone beyond this nostalgic rehash,Continue reading “Punk philosophy”

Overpowered by junk

In my teens and early twenties I was a big Clash fan. Then as my music tastes matured, and I started to tire of rock music’s clichés, I started to fall out of love with the band’s early work, which traded so heavily on rock clichés. Half of Black Market Clash, and all of SandinistaContinue reading “Overpowered by junk”